Egon Bunne (Llurex)

Egon Bunne (Llurex)
Wiesbaden
Germany

http://tat.bln.de/vm/bunne.htm

Born in 1952 in Ahlen, Westfalia, Germany.

After his school graduation in 1973/74, he became the coordinator of the department of music and drama at the municipal communications centre "KOMM" in Nuremberg. 1974-78, work together with the experimental political-rock music group "Ton Steine Scherben" in Berlin. Intense work with music, theatre and photography. 1979-82, training as a fitter and electrical welder in Berlin, first 16mm film productions. 1982-86, study at the DFFB Berlin. Film and television work as a sound-man and cameraman. Sound direction for Hellmuth Costard's film ECHTZEIT (REALTIME). Work together with Gábor Bódy in the field of computer-driven image and sound montage in DE OCCULTA PHILOSOPHIA (1984). 1984, co-editor of "Infermental 3" in Budapest. 1985, guest student at the National Film and Television School in Beaconsfield, GB. 1986-92, work the field of light and video technology, electronic editing and picture direction at Geyer-Video, Berlin, SFB and SAT 1, lecturing at the DFFB and HFF "Konrad Wolf", Potsdam/Babelsberg. Since 1991, editor of the video art magazine "VAMP" at the Berlin TV station FAB. 1992-96, studio director and lecturer at the College of Design, Karlsruhe and work at the ZKM Karlsruhe. Since 1996 he has held an artistic, academic post in the department of film and television at the KHM, Cologne. Egon Bunne became interested in socially critical and political themes at an early date. Later, his documentary starting material is processed by a modulation of the true image. His editing patterns are programmed and devised like compositions. He is fascinated by the phenomenon of time and by the possibility of shaping or structuring time by means of electronic editing. The video ALLES WANDELT SICH (1990) is one of Bunne's most important works. It was made after the fall of the Berlin wall. Historical, pictorial material is confronted by up-to-date, political images and facts referring to the events of the day, and collage and montage are employed so that past and direct present appear to belong together. As if in a kaleidoscope, he re-links his images to form new constellations on the basis of the poem "Alles wandelt sich" by Bert Brecht. In 1990/91 he received the Egon-Erwin-Kisch-Prize of the international Leipzig film week for this tape. (Video-Forum, Neuer Berliner Kunstverein 2001)

1990:

Alles wandelt sich (editing, realization)

1984:

De Occulta Philosophia (appearance)

1983:

He Saw Her Burning (editing)

????:

Fleischer und Frau (realization)
Die Frau (realization)
Raymond Federmann (realization)
Guten Abend Berlin (realization)
Öhm (realization)
Ironland (realization)

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